Thursday, March 26, 2015

With Periscope, I have been around the world in an hour with my … – The Express

This Thursday night, I watched the sun set over Sao Paulo and San Francisco, live monitoring the huge fire in the East Village in New York, took a look at France and Brazil in the French and Brazilian strangers living, listened to a DJ who scratchait on his turntables and watched a traffic jam in Japan and then the rain in Florida before going to bed. I saw dozens of dogs, children playing and testing, testing, testing. Thursday night, I am on Periscope.



On filming France-Br & # XE9; sil front of his t & # XE9; l & # XE9 ;, with the comments of the AD & # XE9; ro, we see many dogs and is prom & # XE8; no & # xE0;. San Diego

France and Brazil are filmed in front of his TV, with the comments of the aperitif, we see many dogs and walks in San Diego.

E. Defaud / L’Express

Periscope is the new app launched by Twitter. It transmits live what you’re shooting. A small interface allows those who follow you write like a chat, and tapping on the screen, it sends hearts floating gently on the image.

It is to believe that Twitter has the gift of disasters. While it is the wreck of a plane on the Hudson River in New York, who made his fame, a huge fire in a Manhattan district broke on the day of the launch of its new service. A little early still, the proposed videos were far from being fascinating, and many users were content to film their TV. Can also select a location-based search to see only the videos shot in NYC.



A user films the police pr & # XE8; s New York fire, another sunset of Sao Paulo and the ministry XE8 & #; re the XE9 Int & #; & # XE9 am laughing; & # Rican invites me xE0; follow a live meeting. When we love, we send hearts.

A user filming the police near the New York fire, the other sunset of Sao Paulo, and the US Department of Interior invites me to follow a live meeting. When we love, we send hearts.

E. Defaud / L’Express

But an hour is enough to seduce me altogether. The feeling of being propelled into the daily life of people is powerful and strange. Street scenes, away from the dark offices and blaffards faces that the heyday of Chatroulette, propels live on the urgency of a scene or a fantasy ride.

Finally, Periscope also spends the film in height. Dailymotion or Youtube made you feel as though you were mistaken sense filming and glued black bars on the sides of the video, when they were reading them altogether horizontally. There, finally, you are told that it is totally expected and ergonomic to hold your phone vertically. It’s not that you’re wrong, it’s Youtube is too old.

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